Within the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally straight-backed, his arms muscular beneath a plain tee. On stage, ballet dancers can seem as mighty gods, yet often offstage they are petite. Not so Ball, whose height is part of his demand for princely roles and pas de deux work. Possessing delicate features and intense eyes, there's a touch of Robert Pattinson about him.
A Seamless Ascent to the Pinnacle
Now 31, Ball is experiencing the peak of a career that has progressed smoothly. Growing up in Liverpool, he encountered minimal teasing for his childhood interest in ballet. Entering the Royal Ballet School at 11, he moved straight into the troupe and was promoted each year, reaching the top rank of lead dancer in 2018. He has relished tackling substantial characters, particularly the emotional turmoil found in Kenneth MacMillan's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
Ball's next starring role is as himself, in an "In Conversation" event aiming to offer behind-the-scenes perspectives into a dancer's art. He will walk the crowd through a part, demonstrating his cognitive workflow while execution. Even in lighter works, the test is profound. "Don Quixote is one of the most demanding from a skill perspective," he states.
The Mental Struggle and Post-Performance Emotions
How does he feel following a show, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the character, frequently I do feel embarrassed afterwards. After an intense role I'm always thinking: God, what must people think?"
Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Is there? "I'm quite energetic in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an instigator for positive change."
Early Drivers and Artistic Influences
Ball's tenacity originated in early experiences. Not doing well in contests at school made him "driven!" This became motivation to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
The next challenge is creating his own dance works. In his view, "organic movement has value." "Challenging the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and art.
Close-Up Dance and Personal Partnership
He also is interested in staging dance in smaller venues. "It was just really exciting," he says of a past experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"
Ball has created duets with his partner, fellow principal Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They are not usually paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."
Regarding Instagram and Bodily Image
On Instagram, fans can see clips from his projects and images that highlight a sculpted form. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—an object that can be interpreted on various levels.
Ball characterizes his younger self as "desperate for success." Has it lived up to his hopes? "I am conscious of how reality is a separate thing to the aspirations you had as a child," he reflects. He probably has about ten years of dancing left. "I suppose in the future, I want to be a bit more kind with myself."